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John Fowles: Mischanneling
John Fowles on the strengths of the novel vs. the screenplay: Why have I got it in for the novel? […] All the purely visual and aural sequences in the modern novel are a bore, both to read and to write. People’s physical appearance, their movements, their sounds, places, moods of places – the camera […]
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John Fowles: Choosing to Be a Writer

It would, I believe, be disingenuous to hold a class without offering the unsuited persons in the assembly a chance to leave the room. To be a writer – that is, someone for whom writing is closer to being a aspect of being rather than a particular activity, demands certain distinctions. There are many personal […]
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John Fowles: Writers are not Doers?
At the heart of my studies (and my teaching) is the question what is a writer? Certainly, it is not someone who simply writes things down; and nor is it necessarily someone who writes a text. An artist is not someone who daubs canvas with paint any further than frequent flyer is an aerospace engineer. […]
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The Magus in Haiku
Haiku are easy But sometimes they don’t make sense Refrigerator My latest obsession in linguistic dexterity is the Haiku. In its basic form of observing 5-7-5, if not subject. (Alliteration is so last week.) I’ve started translating favourite novels to the measure; and I wonder if this isn’t the most marvellous, healthy exercise: A great […]
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The Invitation
It doesn’t interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart’s longing. It doesn’t interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for […]
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Insomnia
Insomnia, that old friend from school. The one who used to bully me, until I’d have to stay in and hide. Yes, hide in my bedroom like a coward. She’s a lot stronger than me; nastier too. She whispers cruel things to me, just when I am at my lowest. Defeated, shamed, humiliated, I cower. […]
