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Review: Human Traces by Sebastian Faulks
Oh dear. This is one of the most unfortunate books I’ve read in quite some time. Sebastian Faulks has a name in popular historical fiction and Human Traces, which seemed to promise a fascinating tale of two 19th century pioneers of psychiatry – a subject I have a strong interest in – gave me high […]
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John Fowles on his ‘first’ novel
Interesting comments about writing from word-master John Fowles: In every way except that of mere publishing date, The Magus is a first novel. I began writing it in the early 1950s, and both narrative and mood went through countless transformations. […] But I had no coherent idea of where I was going, in life as […]
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Cinema and Language and Shit
It’s ‘Film Thursday!’, and today’s entry pompously considers what makes a film ‘good’; and particularly how we might appraise it from a linguistic perspective. Is the quality of a film merely a matter of subjective taste, or are there characteristics of cinema which can reliably suggest its merits? I might not actually answer these questions, […]
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Ideas as ‘Art’
Ideas do not make good films, or good art period. As in, ‘wouldn’t be be clever if we did this?’ Things are never clever when they’re trying to be clever. (Which is a good measure of modern art, which baffles so many. When it’s relying on the higher brain to applaud it, it is likely […]
